When writer-artist Graham Nolan and writer Chuck Dixon’s Joe Frankenstein first hit from IDW Publishing in 2015, I somehow missed the first issue, so I ended up not reading the four-issue series. Then I compounded my mistake by completely missing IDW’s hardcover collected edition as well.
Ohana collects issues 5-8 of the ongoing Dynamite/Disney series. The comic written by Greg Pak and illustrated by Giulia Giacomino is entertaining and informative. Lilo and Stitch, and the rest of their misfit family are as lovable and funny as they were in the movie.
In the pages of the “Steel Nation” arc that originally ran in Magnus Robot Fighter #1-4, Shooter and artist Art Nichols introduced Magnus to a whole new audience and reintroduced him to older fans.
It all comes down to this. The First is ready to sacrifice Oliver so that the cartoon world can gain power over the real world, and the boy is trying to convince any of the gathered cartoon characters to stop what’s about to happen. Outside, Oliver’s mother and grandfather try to gain access to the castle to save the day.
The new issue of Archie Jumbo Comics Digest starts with Sabrina using magic to travel back to the 1980s, where she makes a mess of the timeline.
For The Avengers #200, a real landmark issue for Marvel when it was released in 1980, Pérez got to once again handle not only The Beast and Wonder Man, but also Captain America, Iron Man, Thor, Hawkeye, Ms. Marvel, Scarlet Witch, The Vision, The Wasp, Yellowjacket and Jocasta.
Plague House #4 by Michael W. Conrad and artist Dave Chisholm is quite different from previous issues. It’s far more abstract with Del’s inner monologue about evil entities and lifeless things gaining sentience.
In Gotham City Sirens, Catwoman, Harley Quinn, and Poison Ivy ‒ three of the most popular antiheroes of Gotham ‒ get together for hijinks and shared hideout. That’s right, the ladies take the spotlight. What’s not to love?!
The second Eagle Comics issue of Judge Dredd takes readers to the moon, specifically the colony of Lunar 1, where the political tensions on Earth have clearly extended their entangling reach. US and Soviet tensions run high and contribute significantly to the tales.
In October 2015, IDW began a new Back to the Future ongoing comic series during the year of the movie’s 30th anniversary and more specifically, the time when Marty McFly and Doc Brown traveled to the future in October 2015.
On any list of distinctive, game-changing works from that period must be Dean Motter’s Mister X, a brilliant blend of crisp design sensibilities, early German cinema, the art deco movement, and the concept of “retro futurism” and mysteries wrapped in further mysteries.
While he’s certainly more widely known for co-creating Spider-Man and Doctor Strange, or even for his work on other Marvel, DC, and even Charlton titles, Steve Ditko’s creator-owned Mr. A earned him an additional special place in the hearts of his fellow artists.
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When writer-artist Graham Nolan and writer Chuck Dixon’s Joe Frankenstein first hit from IDW Publishing in 2015, I somehow missed the first issue, so I ended up not reading the four-issue series. Then I compounded my mistake by completely missing IDW’s hardcover collected edition as well.
Ohana collects issues 5-8 of the ongoing Dynamite/Disney series. The comic written by Greg Pak and illustrated by Giulia Giacomino is entertaining and informative. Lilo and Stitch, and the rest of their misfit family are as lovable and funny as they were in the movie.
In the pages of the “Steel Nation” arc that originally ran in Magnus Robot Fighter #1-4, Shooter and artist Art Nichols introduced Magnus to a whole new audience and reintroduced him to older fans.
It all comes down to this. The First is ready to sacrifice Oliver so that the cartoon world can gain power over the real world, and the boy is trying to convince any of the gathered cartoon characters to stop what’s about to happen. Outside, Oliver’s mother and grandfather try to gain access to the castle to save the day.
The new issue of Archie Jumbo Comics Digest starts with Sabrina using magic to travel back to the 1980s, where she makes a mess of the timeline.
For The Avengers #200, a real landmark issue for Marvel when it was released in 1980, Pérez got to once again handle not only The Beast and Wonder Man, but also Captain America, Iron Man, Thor, Hawkeye, Ms. Marvel, Scarlet Witch, The Vision, The Wasp, Yellowjacket and Jocasta.
Plague House #4 by Michael W. Conrad and artist Dave Chisholm is quite different from previous issues. It’s far more abstract with Del’s inner monologue about evil entities and lifeless things gaining sentience.
In Gotham City Sirens, Catwoman, Harley Quinn, and Poison Ivy ‒ three of the most popular antiheroes of Gotham ‒ get together for hijinks and shared hideout. That’s right, the ladies take the spotlight. What’s not to love?!
The second Eagle Comics issue of Judge Dredd takes readers to the moon, specifically the colony of Lunar 1, where the political tensions on Earth have clearly extended their entangling reach. US and Soviet tensions run high and contribute significantly to the tales.
In October 2015, IDW began a new Back to the Future ongoing comic series during the year of the movie’s 30th anniversary and more specifically, the time when Marty McFly and Doc Brown traveled to the future in October 2015.
On any list of distinctive, game-changing works from that period must be Dean Motter’s Mister X, a brilliant blend of crisp design sensibilities, early German cinema, the art deco movement, and the concept of “retro futurism” and mysteries wrapped in further mysteries.
While he’s certainly more widely known for co-creating Spider-Man and Doctor Strange, or even for his work on other Marvel, DC, and even Charlton titles, Steve Ditko’s creator-owned Mr. A earned him an additional special place in the hearts of his fellow artists.
